Showing posts with label Berlin. Show all posts
Showing posts with label Berlin. Show all posts

Monday, April 19, 2010

Comparing Airline and Banking Crisis Regulation


The Icelandic volcanic ash cloud has caused a global crisis in aviation. I’m currently in northern Europe, where reactions to the continental shutdown of flights have ranged from the whimsical to the anxious to the furious. On a very basic level, the perfectly cloudless sky over Berlin throughout the weekend has led to a sense of bemusement. Not least because of that invisibility of the ash cloud threat, it is difficult not to wonder about what acceptable level of safety, say, of particles in the air, will allow planes to return to normal flight schedules.

The question of standards, or requirements for opening airspace and resuming air travel, is of course the one being raised by carriers who conducted a few test flights without incident over the weekend. While presumably motivated by their financial interest in returning to the air, it would be unfair to allege that this is their only interest; safety remains a central value to their successful operation (if only, for the cynics, for their sustainable financial success). We have all heard about the few tragic or near tragic incidents that have occurred over the last three decades and demonstrated the dangerous potential effect of airborne ash on jet planes. Yet the scientific standards for understanding these potential effects remain largely theoretical and speculative. Despite this lack of more empirical evidence, the response of aviation authorities has been thoroughgoing and unequivocal: airspace has been closed to commercial flights in most European countries.

Compare this to the regulatory response to the banking and fiscal crisis beginning in late 2008 and continuing today, if now mostly in terms of determining what frameworks (if any) should exist within or across nations to govern trading. Obviously there are many, many differences. Among the most obvious is the difference between the physical risk of flying a plane that may crash and the financial risk that may ruin portfolios or lifelong investments but leave individuals alive and physically uninjured.

Yet the question of standards, murky in both cases, has elicited very different responses: in aviation, a shutdown; in banking, even in the darkest days of 2008 or 2009, few constraints, certainly not uniform across borders, were imposed on trading, say of CDOs or derivatives, by large banks. Even more, what also matters here is how governments or regulators are able to intervene in business operations, presumably, in the public interest, seem very different. I’m not necessarily advocating a greater or lesser level of governance or oversight of either industry. But together the two crises should prompt a discussion of how twenty-first century governments and regulators act (or don’t) in the public and corporate interests.

Tuesday, July 28, 2009

Bauhaus: Still Teaching after 90 Years


A fascinating exhibition opened last week in Berlin on the Bauhaus. This innovative school of architecture, design and visual arts was founded 90 years ago at the end of the First World War and was closed in 1933 by the Nazis when they rose to power in Germany. For those 14 years, however, the Bauhaus represented a vibrant interdisciplinary school and community of teachers and practitioners committed at once to re-examining the very roots of Western aesthetics and design concerns and to extending the experimentation and social critique of modernity. The current exhibition at the Martin-Gropius-Bau is the largest exhibition on the Bauhaus in history and comprises more than 1000 objects. More info at http://www.modell-bauhaus.de .

As a laboratory for exploring artistic, educational, and social issues, the Bauhaus rewards exploration from multiple perspectives. For me, as an educator committed to interdisciplinary teaching and learning, the launching of workshops involving talented students and gifted practitioners and thinkers from different fields (Walter Gropius, Paul Klee, Laszlo Moholy-Nagy, Wassily Kandinsky among them) is inspiring. That this was accomplished in such a penetrating way at an historical moment of sweeping technological change and social transformation makes it all the more extraordinary. Viewing the show today, as we again confront the changes wrought by technology and a wide-scale reconceptualization of the world, Bauhaus continues to provide lessons in how we might pursue, with rigor and openness and imagination, persistent questions about creativity, what it means to be human, and how to relate to the world around us.